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A LUT (Look-Up-Table) is simply a table of fixed numerical values that can be applied to video to alter its look. It can change an image’s contrast or colour or both. 1D LUTs are the simplest, each input value mapping to a single output value, while 3D LUTs are more sophisticated and can apply to a co-ordinate set of colours. Sony S-Log2 to Rec.709 LUT; Sony S-Log3 to Rec.709 LUT; You can also see our Natural Enhanced Conversion LUTs below. These were designed to solve many issues with. C: ProgramData Blackmagic Design DaVinci Resolve Support LUT Sony. SLog3SGamut3.CineToCine+709.cube, SLog3SGamut3.CineToLC-709.cube, SLog3SGamut3.CineToLC-709TypeA.cube, SLog3SGamut3.CineToSLog2-709.cube. There is also a post on sony's forums for what appears to be the same luts but perhaps older version.
Since the year 2000, Sony has been developing digital motion picture cameras and supporting products for the digital cinematography community under the CineAlta brand.
During this time Sony designed and published its original “S-Log” curve, integrating this into the camera to allow them to capture scenes with exceptionally wide latitude. As digital cinematography standards have evolved and technologies improved, new camera models have been introduced with improved S-Log curves, S-Log2 and more recently S-Log3, greatly enhancing the latitude and dynamic range capabilities of the newer cameras.
![Sony S Log2 To Rec 709 Lut Sony S Log2 To Rec 709 Lut](/uploads/1/1/8/8/118843337/151629023.jpg)
Over the years Sony has also introduced new, wide color spaces. S-Gamut3.Cine is one such color space, wider than the DCI P3 color space used for digital movie projection.
Both S-Log3 and S-Gamut3.Cine provide huge dynamic range and color space capabilities within the camera which can be used to capture material that provides post-production with the widest creative freedom and control.
Rec 709 To Log Lut
However these technologies present a problem for those working on-set, in dailies and in post-production. Specifically, how to review material shot in S-Log3/S-Gamut3.Cine on a standard monitor designed to operate in a conventional Rec.709 dynamic range and color space.